{"id":2,"date":"2017-01-30T21:35:32","date_gmt":"2017-01-30T21:35:32","guid":{"rendered":"http:\/\/consumingmusic.wp.lib.utah.edu\/?page_id=2"},"modified":"2017-05-11T15:46:14","modified_gmt":"2017-05-11T15:46:14","slug":"toc","status":"publish","type":"page","link":"https:\/\/consumingmusic.lib.utah.edu\/","title":{"rendered":"Table of Contents"},"content":{"rendered":"<p>&nbsp;<\/p>\n<div id=\"attachment_53\" style=\"width: 310px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-53\" class=\"size-medium wp-image-53\" src=\"https:\/\/consumingmusic.lib.utah.edu\/wp-content\/uploads\/sites\/22\/2017\/02\/Figure-I.2-300x223.jpg\" alt=\"\" width=\"300\" height=\"223\" srcset=\"https:\/\/consumingmusic.lib.utah.edu\/wp-content\/uploads\/sites\/22\/2017\/02\/Figure-I.2-300x223.jpg 300w, https:\/\/consumingmusic.lib.utah.edu\/wp-content\/uploads\/sites\/22\/2017\/02\/Figure-I.2-768x570.jpg 768w, https:\/\/consumingmusic.lib.utah.edu\/wp-content\/uploads\/sites\/22\/2017\/02\/Figure-I.2-1024x760.jpg 1024w, https:\/\/consumingmusic.lib.utah.edu\/wp-content\/uploads\/sites\/22\/2017\/02\/Figure-I.2-624x463.jpg 624w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-53\" class=\"wp-caption-text\">Wien, Tuchlauben: Laden Steiner\/Haslinger: Innenansicht, um 1840 &#8211; anonyme Fotografie nach Aquarell von Weigl<\/p><\/div>\n<p>Acknowledgments<\/p>\n<p>Introduction<br \/>\nEmily H. Green and Catherine Mayes<\/p>\n<p>Part One: Selling Variety<\/p>\n<p>Music\u2019s First Consumers: Publishers in the Late Eighteenth Century<br \/>\nEmily H. Green<\/p>\n<p>Inside a Viennese Kunsthandlung : Artaria in 1784<br \/>\nRupert Ridgewell<\/p>\n<p>Part Two: Edifying Readers<\/p>\n<p>Morality and the \u201cFair-Sexing\u201d of Telemann\u2019s Faithful Music Master<br \/>\nSteven Zohn<\/p>\n<p>Eighteenth-Century Mediations of Music Theory: Meter, Tempo, and Affect in Print<br \/>\nRoger Mathew Grant<\/p>\n<p>Part Three: Marketing the Mundane<\/p>\n<p>Musical Style as Commercial Strategy in Romantic Chamber Music<br \/>\nMarie Sumner Lott<\/p>\n<p>In Vienna \u201cOnly Waltzes Get Printed\u201d: The Decline and Transformation of the<br \/>\nContredanse Hongroise in the Early Nineteenth Century<br \/>\nCatherine Mayes<\/p>\n<p>The Power to Please: Gender and Celebrity Self-Commodification in the Early American Republic<br \/>\nGlenda Goodman<\/p>\n<p>Part Four: Cultivating Communities<\/p>\n<p>Exchanging Ideas in a Changing World: Adolph Bernhard Marx and the Berliner allgemeine musikalische Zeitung in 1824<br \/>\nPatrick Wood Uribe<\/p>\n<p>Parisian Opera between Commons and Commodity, ca. 1830<br \/>\nPeter Mondelli<\/p>\n<p>List of Contributors<\/p>\n<p>Index<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Acknowledgments Introduction Emily H. Green and Catherine Mayes Part One: Selling Variety Music\u2019s First Consumers: Publishers in the Late Eighteenth Century Emily H. Green Inside a Viennese Kunsthandlung : Artaria in 1784 Rupert Ridgewell Part Two: Edifying Readers Morality and the \u201cFair-Sexing\u201d of Telemann\u2019s Faithful Music Master Steven Zohn Eighteenth-Century Mediations of Music Theory: [&hellip;]<\/p>\n","protected":false},"author":34,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/consumingmusic.lib.utah.edu\/index.php?rest_route=\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/consumingmusic.lib.utah.edu\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/consumingmusic.lib.utah.edu\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/consumingmusic.lib.utah.edu\/index.php?rest_route=\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/consumingmusic.lib.utah.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2"}],"version-history":[{"count":11,"href":"https:\/\/consumingmusic.lib.utah.edu\/index.php?rest_route=\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":104,"href":"https:\/\/consumingmusic.lib.utah.edu\/index.php?rest_route=\/wp\/v2\/pages\/2\/revisions\/104"}],"wp:attachment":[{"href":"https:\/\/consumingmusic.lib.utah.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}